My Bloody Valentine's Kevin Shields Gets Deep Into 'Loveless'

All Songs Considered

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00:57:05
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My Bloody Valentine's Kevin Shields Gets Deep Into 'Loveless'

All Songs Considered

Explicit content

This is a complex and fascinating conversation with Kevin Shields of My Bloody Valentine about the latest version of the band's legendary 1991 album Loveless. It's also about the group's future. If you have the vinyl version of Loveless you probably think you it's an analog recording. Well the technical truth is, you don't. It's a bit confusing, but for one, the nice segues on Loveless — those seamless song-to-song transitions — were done on a computer. And before a pressing plant makes the vinyl version, it turns the analog tapes into a digital file.So Kevin Shields went on what he thought would be a brief mission to make an all-analog version of Loveless. It ended up taking years and an awful lot of money. But now the new vinyl version is out and the tale of the tape is what much of this conversation is about. We get in the weeds about tech, about mastering an album (which is the technical final tweaking done before a record is pressed). But stick with it. It was an eye-and-ear-opening conversation.
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This is a complex and fascinating conversation with Kevin Shields of My Bloody Valentine about the latest version of the band's legendary 1991 album Loveless. It's also about the group's future. If you have the vinyl version of Loveless you probably think you it's an analog recording. Well the technical truth is, you don't. It's a bit confusing, but for one, the nice segues on Loveless — those seamless song-to-song transitions — were done on a computer. And before a pressing plant makes the vinyl version, it turns the analog tapes into a digital file.So Kevin Shields went on what he thought would be a brief mission to make an all-analog version of Loveless. It ended up taking years and an awful lot of money. But now the new vinyl version is out and the tale of the tape is what much of this conversation is about. We get in the weeds about tech, about mastering an album (which is the technical final tweaking done before a record is pressed). But stick with it. It was an eye-and-ear-opening conversation.
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